Perspective

The psychology, sociology, and political-economy of storytelling — how the stories we consume shape our individual experiences.

Introduction

Most people don’t remember a single moment when movies “got worse.” There was no sudden collapse, no clear turning point. Just a gradual shift—films became louder, faster, more polished, yet less memorable. The experience of watching a movie today might be entertaining--but rarely is it moving or inspiring. The question is why? Is this due to a lack of content, a lack of vision, or something else?

Argument

To answer this question, we need to understand Hollywood as a system: to understand how all of its parts interact to produce the final output we see on screen. Because it's become a self-enclosed system, it's participants are trapped in a cycle of risk-aversion, brand-protection, and bureaucratic survival—which is actually driving the collapse of the system they depend upon. The consequences of this slow-moving collapse aren't contained to Hollywood. When civilization loses a living mythology, the culture breaks down. Without a system to produce meaning, people lose their ability to understand themselves and each other. People become less able to tolerate ambiguity, moral depth collapses into slogans, and entertainment becomes mindless spectacle. At the same time, industrial systems evolve to filter out anything that risks reputational loss — so the machine and the culture reinforce each other.

Inference

When both philosophy and economics are aligned, then a coherent vision emerges. A new franchise sublimates into a cultural touchstone. A new myth is born.

How to Read This Section

Trace the development of epics from their conception to their denouement. The Philosophy section explores what stories do, why they matter, and how they shape consciousness. The Industry section reveals the economic and institutional forces that either enhance or erode their value. Perspective is organized into two lenses. Philosophy lays the foundations: meaning, erosion, and restoration. Industry applies the lens to institutions: how incentives reshape stories long before they reach an audience.

Philosophical Lens

The three claims behind Mythogin: what stories do, why they still matter, and what makes stories resonate.

Economic Lens

What reaches the screen is the unintended output of a complex industrial machine

whose purpose isn't profit, but bureaucratic survival.

Hollywood Culture

Those Who Don't Learn History...

The political-economy of an industry that has generated repeated cycles of boom and bust entertainment over the last century.

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Content Machine

Behind the Curtain

How short sighted thinking, portfolio logic, and bureaucratic incentives harden into formulas and tropes despite repeated failures.

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Industry Machine

Platform Economics

How distribution models select for different, generic story-shapes, and why each “machine” behaves the way it does.

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