What Stories Do
Stories give experience meaning — they transmit values, model attention, and train empathy.
The psychology, sociology, and political-economy of storytelling — how the stories we consume shape our individual experiences.
Most people don’t remember a single moment when movies “got worse.” There was no sudden collapse, no clear turning point. Just a gradual shift—films became louder, faster, more polished, yet less memorable. The experience of watching a movie today might be entertaining--but rarely is it moving or inspiring. The question is why? Is this due to a lack of content, a lack of vision, or something else?
To answer this question, we need to understand Hollywood as a system: to understand how all of its parts interact to produce the final output we see on screen. Because it's become a self-enclosed system, it's participants are trapped in a cycle of risk-aversion, brand-protection, and bureaucratic survival—which is actually driving the collapse of the system they depend upon. The consequences of this slow-moving collapse aren't contained to Hollywood. When civilization loses a living mythology, the culture breaks down. Without a system to produce meaning, people lose their ability to understand themselves and each other. People become less able to tolerate ambiguity, moral depth collapses into slogans, and entertainment becomes mindless spectacle. At the same time, industrial systems evolve to filter out anything that risks reputational loss — so the machine and the culture reinforce each other.
When both philosophy and economics are aligned, then a coherent vision emerges. A new franchise sublimates into a cultural touchstone. A new myth is born.
Trace the development of epics from their conception to their denouement. The Philosophy section explores what stories do, why they matter, and how they shape consciousness. The Industry section reveals the economic and institutional forces that either enhance or erode their value. Perspective is organized into two lenses. Philosophy lays the foundations: meaning, erosion, and restoration. Industry applies the lens to institutions: how incentives reshape stories long before they reach an audience.
The three claims behind Mythogin: what stories do, why they still matter, and what makes stories resonate.
Stories give experience meaning — they transmit values, model attention, and train empathy.
When myth erodes, culture loses its meaning-machine — cooperation collapses into spectacle and control.
Epics challenge assumptions and restore depth — identification, empathy, perspective, and new values.
whose purpose isn't profit, but bureaucratic survival.